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dc.contributor.authorAndersen, Elisabeth
dc.contributor.authorBollaert, Johan Georges P
dc.contributor.authorHolmqvist, Karen Langsholt
dc.contributor.authorKaun, Susanne
dc.date.accessioned2022-12-22T11:50:08Z
dc.date.available2022-12-22T11:50:08Z
dc.date.created2022-12-09T11:20:39Z
dc.date.issued2022
dc.identifier.citationCollegium Medievale. 2022, 59-88.en_US
dc.identifier.issn0801-9282
dc.identifier.urihttps://hdl.handle.net/11250/3039227
dc.description.abstractKviteseid Old Church in Telemark, Norway, is a medieval stone church with murals of a seemingly informal character. These depictions consist of ships, figures, individual letters, and longer inscriptions, apparently randomly placed on the interior chancel walls. By studying the painting techniques, the stratigraphic structure and the motifs of the paintings, the authors explore the intentions behind these motifs. They argue that, although of simple manufacture and unprogrammatic, they were an important part of the late-medieval and post-Reformational church experience. Several of the images and inscriptions may have had a memorial intention. This study provides a new understanding of a type of murals found in several medieval churches in Norway and abroad that has often been (mis)interpreted as graffiti.en_US
dc.language.isoengen_US
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/deed.no*
dc.titleImages and Inscriptions: A Study of the Murals in Kviteseid Old Churchen_US
dc.typeJournal articleen_US
dc.typePeer revieweden_US
dc.description.versionpublishedVersionen_US
dc.source.pagenumber59-88en_US
dc.source.volume35en_US
dc.source.journalCollegium Medievaleen_US
dc.identifier.cristin2091137
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode1


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Attribution-NonCommercial-NoDerivatives 4.0 Internasjonal
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