Medieval polychrome sculptures in Norwegian museum collections and churches. Are there differences in how they are retouched, presented and percieved?
| dc.contributor.author | Jernæs, Nina Kjølsen | |
| dc.contributor.author | Mengshoel, Gerd Karen | |
| dc.date.accessioned | 2021-04-07T10:47:20Z | |
| dc.date.available | 2021-04-07T10:47:20Z | |
| dc.date.created | 2020-01-16T13:29:06Z | |
| dc.date.issued | 2019 | |
| dc.identifier.citation | Collegium Medievale. 2019, 32 (1), 59-84. | en_US |
| dc.identifier.issn | 0801-9282 | |
| dc.identifier.uri | https://hdl.handle.net/11250/2736578 | |
| dc.language.iso | eng | en_US |
| dc.title | Medieval polychrome sculptures in Norwegian museum collections and churches. Are there differences in how they are retouched, presented and percieved? | en_US |
| dc.type | Peer reviewed | en_US |
| dc.type | Journal article | en_US |
| dc.description.version | publishedVersion | en_US |
| dc.source.pagenumber | 59-84 | en_US |
| dc.source.volume | 32 | en_US |
| dc.source.journal | Collegium Medievale | en_US |
| dc.source.issue | 1 | en_US |
| dc.identifier.cristin | 1774856 | |
| cristin.unitcode | 7530,41,0,0 | |
| cristin.unitname | Konserveringsavdelingen | |
| cristin.ispublished | true | |
| cristin.fulltext | original | |
| cristin.qualitycode | 1 |
