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dc.contributor.authorNomeikaite, Laima
dc.date.accessioned2021-01-08T13:58:47Z
dc.date.available2021-01-08T13:58:47Z
dc.date.created2020-01-10T09:55:40Z
dc.date.issued2019
dc.identifier.citationStreet Art & Urban Creativity Scientific Journal. 2019, 5 (1), 6-18.
dc.identifier.issn2183-3869
dc.identifier.urihttps://hdl.handle.net/11250/2722235
dc.description.abstractThe present study re-evaluates the relationship between street art and the value-based approach to heritage conservation. The research presents the limitations of the value-based approach, which relate to its conceptualisation of stakeholders,experts and tangible preservation, as well as its distinction between present and past, and tangible and intangible heritage. In response, the paper suggests a performative approach to street art heritage conservation theory and practice. First, the paper introduces the notion of performativity within non-representational theory and its temporary, affective and relational aspects. Drawing further on the performativity approach, street art and urban studies, the paper illustrates and argues that the aesthetic experience of street art does not distinguish between past and present or tangible and intangible; instead, the experience is relational, socio-spatial, temporary and affective. Finally, the research offers a performative methodology for practising relations between street art and heritage.
dc.language.isoeng
dc.titleStreet art and heritage conservation: From values to performativity
dc.typePeer reviewed
dc.typeJournal article
dc.description.versionacceptedVersion
dc.source.pagenumber6-18
dc.source.volume5
dc.source.journalStreet Art & Urban Creativity Scientific Journal
dc.source.issue1
dc.identifier.cristin1770001
cristin.unitcode7530,0,0,0
cristin.unitnameNorsk institutt for kulturminneforskning
cristin.ispublishedtrue
cristin.fulltextpostprint
cristin.qualitycode1


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